Sunday, 18 September 2011

The Haunted Sea Film Screening

GHost presents

The Haunted Sea

                                                  Amy McDonough, Ash on my Skirt (still)


Short Film Screening
Friday 23 September 2011
7pm doors open

64 Tontine Street, Folkestone, Kent, CT20 1JP


We have selected twelve international artists who have responded to our call for short films on the theme of “The Haunted Sea”. Their films will be screened on the final weekend of the Folkestone Triennial:

Films by
Tymon Albrzykowski, Neil Baker, Nick Baxter & Jude Cowan & Joanna McCormick, Emma Caddow, Kieron Clark, Inez de Coo, Glenn Church, Romeo Grünfelder, Ellen Lake & Chris Green, Amy McDonough, Eva Rudlinger, Stasis73


Andy Sharp will open and close the event with “An intermission of aural lagan, manipulating phonographic salvage from the actual locations of M.R.James' ghost stories.

Saturday 24th September, 2.00p - 6.00pm
the films will be screened on a loop at 64 Tontine Street
and the B&B Project Space will be open with
a final chance to glimpse the GHost CLHub

4.00pm – Performance by Joanna McCormick and Jude McGowanthe B&B Project Space, 14 Tontine Street



Film Programme


Arctic Echo, Dir. Eva Rudlinger, UK, 2008 The gradual appearance and disappearance of a white cliff facing its double at the mouth of an Icelandic fjord, subtly alters scenery and atmosphere. The temporary transfiguration of sea and sky recalls phenomena such as the arctic mirage witnessed in remote and high latitude settings.
Since completing an MA in Fine Art at Chelsea College of Art and Design, Eva Rudlinger's practice uses light, space, scale and elemental materials as a catalyst to explore perceptions of time and the temporal, thoughts and feelings, mainly expressed in the medium of photography, film and sculpture. She has participated in selected screenings and exhibitions in national and international festivals and galleries.
http://www.evarudlinger.co.uk

[desı’re:] the Goldstein Reels, Dir. Romeo Grünfelder, Germany, 2006
An old celluloid film is labelled as being from the estate of Jack Goldstein. The unusual S8 footage is nevertheless difficult to interpret. Due to partially missing data, place, time and author cannot be determined and keep the beholder in the dark. The ongoing investigation has not been able to produce a reasonable explanation of the circumstances.
www.felderfilm.de

The Radiographer’s Daughter, Dir. Stasis73, UK, 2011She had played the harp so beautifully she was called before the king. The wind became jealous and mustered a great storm that came and washed them all away. A storm that created new land, such was its fury, in exchange for old. And now sunken towns and villages hold memories of the marks that hands had made in their walls….and on a clear day, if you listen ever so carefully, you can hear the music she played the king in amongst the lapping of the now gentle tide.
Stasis73 is a freeform post-experimental sound and film outfit. Drawn together by the chemistry of the random.The perfect number is 73, because 73 is the 21st prime number. The mirror of 73 is 37, the 12 prime number. 12's mirror is 21. The products of 21 are 7 and 3. 7 and 3 together equal 73.
www.stasis73.com 

Ash On My Skirt, Dir. Amy McDonough, UK, 2011 Ash On My Skirt tells the story of a mother scattering her son’s ashes at sea through the repeated and clashing musical refrains of a macabre Scottish folk ballad and the washing of the tides. It weaves together an address of an audience that is informational with something more lyrical.
Amy McDonough (Born Ashington Northumberland 1981.) BA English, Royal Holloway 2002. BA Fine Art, Goldsmiths 2006. PG Dip Fine Art, Royal Academy Schools 2011. Amy has exhibited films and performances both nationally and internationally: Bloomberg New Contemporaries, Clore Cinema Tate Britain and exhibitions in UK, Italy, Germany and Japan. She has recently been awarded the Deutsche Bank Award.

Dziwy Mórz Głębokich (The Deep Sea Wonders), Dir. Tymon Albrzykowski, Poland, 2010The film tells the twisted tale of a fantastic submarine expedition to the depths of the ocean to rescue a woman swallowed by a fish.
Tymon Albrzykowski was born in 1988. He studied film and artistic photography at the School of Arts in Gdynia (Poland) and graduated in 2008. Since October 2009 he studies at Lodz Film School (Poland) specializing in Animation Directing and Special Effects.

Oh Dreamland, Dir. Inez de Coo, UK, 2010
Made by combining photographs shot in Coney Island, New York and Dreamland, Margate with footage taken from the 1962 film Carnival of Souls, this video addresses the haunted feeling of abandoned fairs while suggesting that film and photography contain ghosts of their own in the way the mediums are created out of life and held in time. It is a video work with its own sense of time and logic that seduces the viewer as if it were a dream. 
Inez de Coo (Lutong, 1982) is a visual artist, specialising in video art. She completed her BA at the KABK in The Hague in 2008 and graduated from the Royal Academy Schools in summer 2011. She is interested in applying ideas from film theory alongside psychoanalysis and philosophy to explore the intersections between fiction and reality, exploring cinema’s role in shared social and cultural heritage as a record of collective memory. 
www.inezdecoo.nl


The Salem Ghost Ship, Dir. Glenn Church, USA, 2011
The Salem Ghost Ship is based on the rich New England narrative folklore tradition. Ships from Salem sailed all over the world many never returning. This constant threat of untimely death would culminate in stories of ghost ships returning the souls of dead sailors back to the land they sailed from. 
Glenn Church’s work combines sound and its visual counterpart. He is interested in how these two disciplines combine to create ‘total’ and immersive psychological experiences. He works with multimedia to create expressions of social and psychological reactions to the 'personal' engagement with the world; both the 'seen' and the 'unseen'. 
www.neophytecapsule.com

Mermaid Song, Dir. Nick Baxter, Jude Cowan, Joanna McCormick, UK, 2011
Mermaids squeeze the life out of sailors while attempting to rescue them. 
“Now you're blinded by starlight, and so I do not know your salty skin, your sailor's gleam, the dazzle of your fine heart's beam.”
Mermaids' tears are freshwater pearls.
“I cannot swim, the water's fluttering drift eludes me in the night.”
When you see a mermaid beware rough weather ahead.
“Were you to join me here, and sit with me on shore, I would delight to take your hand and lead you to the ocean's roar.”
Eat a mermaid's flesh and become immortal.
“And glide immersed and drifting, embracing storm and calm.”
A mermaid's kisses will cure your ills.
“And infinite consolation of the seas' deep lustrous balm.”
Mermaid Song is a collaboration with film maker Nick Baxter, invented from snippets of footage gathered while searching for monstrous wonders of the deep at Highcliffe on the Dorset coast bordering Hampshire.The film is a playful exploration of haunting themes, including the elusive quality of dreams, mystery, longing and loss.
Jude Cowan and Joanna McCormick are artists who delight in the absurd, the surreal and the spontaneous. Jude is also a musician and published poet and Joanna is artist in residence at Peckham Settlement and is part of Westminster Arts' Resonate team. 
www.joart.info www.myspace.com/judecowan www.judecowan.blogspot.com
nicholas.baxter@btinternet.com

Edges of the Peripheries, Dir. Emma Caddow, UK, 2007 A phenomenological study.
Ephemeral gateways.
Transient precipitations.
A myriad of hopes.
This footage was shot at Harwich Seafront where the Doverport Lighthouse sit, which have been painted by John Constable.
Born in metropolis of Hong Kong, Emma travelled across a continent only to land in another metropolis, London. Having previously followed a more scientific career, a pivotal experience derailed her mathematical existence onto the free highway of art. Having recently completed a Fine Art BA at Middlesex University she specialises in film & video.
www.emmacaddow.com

West of Arran, Dir. Neil Baker, UK, 2011
A fisherman is slowly strangled by a jumper his mother knitted in this sparse tale of love, loss and revenge from beyond the grave. 
Neil Baker is a widely published writer of bitter-sweet short stories and surreal, unsettling tales. He lives near the sea, outside of Rye.
http://neilbaker.blogspot.com/

Joy, Dir. Kieron Clark, UK, 2007Joy tells the story of a modern-day miracle and of its effects on the residents of a small seaside town. 
Kieron Clark is a South London-based writer, producer and director with several short films under his belt, including the UK Film Council-funded Joy, which has screened at festivals including Raindance, Brest and Leeds, and the short dramas Still Life and Gas. 
www.kieronclark.co.uk

Seaworthy, Dir. Ellen Lake and Chris Green, USA, 2010
Based on observations of everyday life – this short is an eclectic mix of cargo ships, tug boats, and sailboats shot on the Oakland Estuary, with a bluegrass soundtrack by Evie Ladin, and a body floating by – mixing fantasy and documentary, love and loss, while exploring the urban/marine landscape. 
Chris Green (scientist) and Ellen Lake (artist) join forces to make mechanical sculptures, videos, photographs, and installations. Working with metal, motors, electronics, and digital media they make art inspired from observations in everyday life. We are currently working on a series exploring contemporary urban space. Chris and Ellen live in Oakland, California. Ellen works at Kala Art Institute, a residency program for printmakers and digital media artists and Chris is an environmental scientist at the United States Geological Survey. Seaworthy has shown at the Director’s Lounge 2011 Urban Research Program “Places and Locations: Reality Check,” in Berlin, has traveled in Europe with Ciné Martiko, played at the Santa Fe International New Media Festival, “Currents 2011,” the Great Wall of Oakland, the Berkeley Art Center, and the Kala Art Gallery in Berkeley. 

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